kaire 
The new song festival ground in Latvia is a symbolic update—an architectural interpretation of contemporary song festival culture as well as a nation’s independence in the very centre of the Baltics.
Balticness as a fragment of identity is a bit like a curiosity forgotten in the back pocket, only to be rediscovered from time to time. We asked a number of Estonian, Latvian, and Lithuanian archi- tects, architectural offices, and other spatial practitioners for their favourite spaces, spatial situations, or features that appear unique to the Baltic coun- tries (or one of them).
Andrius Ropolas writes about the Contemporary Art Center Vilnius.
Balti riikide ja Venemaa (nagu ka selle lahutamatu liitlase Valgevene) vahelise piiri kindlustamisel on piirialade maastikule suur mõju.
What is an architect’s work, and what is its result? Is it a finished building, street, auditorium? Or is it an abstraction of these things—a design, i.e., project documentation that will be translated into a building by someone else? We asked several architecture collectives for their opinion.
The cultural shift towards using materials and energy that are contained within planetary boundaries requires a reconsideration of the most fundamental assumptions about how buildings interact with the world.
Designing with a territory values connection over extraction. Clara Kernreuter from Atelier LUMA and Maria Helena Luiga from kuidas.works discuss bioregional design.
If we could overcome the paradox of meat and make the hidden realities of the animal industry even slightly more visible, it is conceivable that we might begin inching towards dietary practices that do not require the exploitation of animals.
Although dictionaries define the term ‘plateau’ as a stable, fluctuation-free state, they also include a caveat: it only lasts for a certain period of time. So, what comes next?
Vertikal Nydalen, a mixed-use building in Oslo designed by Snøhetta, pushes the boundaries of a modern natural ventilation system, writes Ott Alver.