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Little was built following the re-establishment of Estonian independence in the early 1990s, however, the debates held and practices established largely came to set the foundations for the dominant issues in the architectural field in the past decades.
How does change in society reflect in architecture? In order to answer this question, we look back on the spatial design in the thirty years of regained independence. What kinds of spaces have accommodated us in the last three decades at work, in school and while enjoying culture? What have our homes been like?
The exhibition ‘The City Unfinished. Urban Visions of Tallinn’ at the Museum of Estonian Architecture 22.01–16.05.2021. Curated by Johan Tali, design Raul Kalvo, graphic design Stuudio Stuudio, translation and proofreading Kaja Randam, Kaisa Kaer, Mirel Püss and Johan Tali. The research project ‘The City Unfinished’ conducted at the Faculty of Architecture of the Estonian Academy of Arts takes a look at the big picture in the city of Tallinn and the concerns and opportunities of modern urban planning.
Discussions about how to plan a good city and what kind of buildings to construct are becoming increasingly relevant as mankind has reached a fundamental milestone: the majority of the society lives in cities. At the time of climate change, the issue of a sustainable city is more pressing than ever before also in Estonia, where motorisation is fast and local centres are subjected to urban sprawl. In this context, it is worth recalling the ideological principles of two urban design theories – New Urbanism and Landscape Urbanism – in order to set goals for the kind of space we want to move towards and the pitfalls to avoid on the way.
Against the backdrop of these phenomena, the wasteland paradigm shifted for us: the derelict and polluted areas around the city were like symbols of negative change in the environment with traces og bygone natural habitats or normal human activity, remains of stratified time, soul from different periods of Estonian life.
Last year the Estonian Association of Landscape Architects annual award and the Estonian Cultural Endowment landscape architecture award in the category of architecture were given to the new city centre of Elva. ‘Between the Currant Bushes’ (by Ülle Maiste, Diana Taalfeld, Anne Saarniit, Roomet Helbre, and Taavi Kuningas from the architectural offices AT HOME, NU, ubin pluss, and TEMPT) was recognised as the winner of the architecture competition for the best solution for Elva main street and urban space in the framework of the ‘Good Public Space’ project.
We are discussing landscape architecture with Helēna Gūtmane, Mark Geldof and Ilze Rukšāne online although I initially planned to go there and visit their works together with the authors. In addition to Helēna, Ilze and Mark, also the senior landscape architects Indra Ozoliņa, Mētra Augškāpa and landscape architect Sendija Adītāja joined our discussion around the table (and behind the screen).
Teist põlve arhitekt Ralf väidab, et tal ei ole eriala suhtes illusioone; seda muljetavaldavama järjekindlusega seisab ta projekteerimisprotsessis arhitektuurse tuumidee säilimise eest. Arhitektiks olemine defineerib Ralfi kogu tegevust ja maailmavaadet töötegemisest reisimiseni – võib-olla ainult muusikal õnnestub hetkiti samavõrdse tähelepanu eest võistelda. Küsis Ingrid Ruudi.
How did a landmark in wooden architecture—the largest public wooden building in Estonia—come to be?
